Have comments or corrections? Email rob at: robinette at
comcast dot net
UPDATE April 2022: Trinity Amps is selling the JCM800 6V6 in
either kit form or a fully built combo or head amp. They are calling it the Thör.
It's a variation of their Trinity 18 Amp. Here's their
webpage. Scroll
down to the Thör section.
From the Trinity Amps website:
The Trinity Amps Thör is a 6V6 powered amp authentic to the
Marshall JCM800 2203 Lead Series Master Volume amp, based on original work by
RobRobinette.com and it totally delivers. In addition to the Lo Sensitivity
input, Thör employs a cascaded Hi Sensitivity channel. With a pre-phase inverter
master volume and a cold biased “cold clipper” gain stage and the circuit
tweaked to deliver an aggressive but sweet overdrive tone, Thör has the
quintessential Marshall tone and crunch but in a very usable 20 watt package.
The Preamp, tone stack and Phase Inverter are identically voiced to the JCM800
2203. There is some frequency compensation employed to retain the 2203 circuit
and smooth it out.Running an octal socket based solid state rectifier with
choke, the 400V fixed-bias supply powers two JJ 6V6Ss. There is an added Clipper
switch to select either JCM cold clipper or the SLO cold clipper. The gold,
brushed aluminum look front panel is intentionally reminiscent of the original
JCM800s. Available as a Head or Combo. Get the Classic Marshall tone you’ve
heard over a zillion times! Be sure to watch the videos below. Thor is the
god of thunder, lightning, storms and strength. A classic name for this powerful
sounding Trinity Amps product.
UPDATE August 2020: In version 3.1 I corrected an error I
made in the JCM800 6V6 design. I spec'd a 56K NFB resistor when 100k is what is
needed. We get less NFB signal from the 6V6 power amp but we get more by going
from the JCM800 4 ohm secondary to the 6V6's 8 ohm secondary so 100k is what we
need. I also changed the JCM800 6V6 and
Micro preamp and master volume type to match the JCM800. The preamp tweaks and post phase inverter master volume
were not the
improvements I thought they would be. I decided it was better to offer up a
"stock" JCM800 and let builders tweak that design to their preferences.
Design Philosophy
The Marshall 2104 Master Volume/JCM800 is my favorite high gain amp of
all time. It is the sound of 80's rock-and-roll guitar but it's just too loud at
50 or 100 watts. These 20 watt 6V6 and 1 watt 12AU7 amps will allow you to shred at
less than ear splitting volume and lay down studio licks without ear plugs. The preamp is all 2104/JCM800
but the power amp consists of the stock long tail pair phase inverter feeding
either a pair of 6V6 or a
single 12AU7 power tube in true push-pull. The layouts are designed for use in
a standard Princeton Reverb chassis and cab which allows the use of a 10
or 12 inch speaker. Many people gig with Princeton Reverbs so here's a
shredding machine in a Princeton Reverb package.
The JCM800 6V6 comes in a Princeton Reverb size
package but it can run 6V6, 5881, 6L6 and EL34 power tubes for 22 to 25 watts of
output. I spec the
AllenAmps.com TP25 power
transformer and TO26 output
transformer which support 6V6, 5881, 6L6 and EL34 power tubes. Both of these
transformers
are Princeton Reverb upgrade transformers with a lot more oomph than stock
transformers. They
fit perfectly in the Princeton Reverb chassis. Although I prefer the
Allen Amps transformers, any Princeton Reverb power and output transformer and
choke can be used if you plan to use only 6V6 power tubes.
The preferred choke is the
Classictone 40-18032
5H 120ma but again, any Princeton Reverb or Deluxe Reverb choke can be used. The bias circuit uses the power transformer's 50v tap and features
bias balance and bias adjustment for 6V6, 6L6 and EL34 tubes. If you use a
power transformer that does not include a 50 volt bias tap you can use
this circuit to generate
bias voltage from the power transformer high voltage tap. The power tube
sockets are wired for EL34 compatibility.
Power output will be around 22 watts with 6V6 power tubes and
somewhere around 25 watts with 6L6 and EL34 power tubes. Output is limited due to output
transformer saturation. A pair of 23 watt 5881 power tubes is also a great
match for this amp. We compensate for the different power tube plate
load requirements by adjusting speaker load. For 6V6 power tubes we use an 8 ohm
speaker with the 8 ohm speaker jack.
For 6L6, 5881 and EL34 power tubes we connect the 8 ohm speaker to the 16 ohm
speaker jack. The TO26 output transformer has both 8 and 16 ohm speaker outputs
and I connect each to a separate speaker
jack to make switching between tube types easy. Note that neither speaker jack has a
shorting switch so always make sure a speaker is connected before powering up
the amp. Also note the NFB
is tapped off the 8 ohm speaker jack.
If you don't need the 6L6/EL34 option then standard
Princeton Reverb power and output transformers will work fine.
JCM800 6V6
Click the schematic to see the high resolution image. Download the
pdf and
DIYLC file.
JCM800 in a Princeton Reverb chassis. The preamp ground bus
is grounded at the High Input jack ground terminal. The layout is an accurate
depiction of a Princeton Reverb chassis. Note that neither speaker jack has a
shorting switch. Click the layout to
see the high resolution image. Download the
pdf,
DIYLC and Hoffman circuit board DIYLC file.
The cap can is a
JJ 40/20/20/20uF 500v can
from
Mojotone.com.
The can's terminals are marked with Y, X, U, O and "-" stamped in the terminals.
The Y terminal is 40uF and the X, U and O have 20uF. The "-" is the negative or
ground terminal.
The NFB resistor is kept at 100k because this amp's 8 ohm
secondary puts out 41% higher voltage than the original JCM800's 4 ohm secondary
but this is offset by the lower output of the 6V6 power tubes.
The 0.68uF V1A cathode bypass cap does not need to be an
electrolytic. Any type of cap will work fine. I'm a fan of tantalum caps for
.47uF and .68uF bypass caps. The bypass cap should be rated at 10 volts or higher.
The 6.3v heater center tap is elevated by connecting it to a
Bleeder/Divider circuit at 65 volts. This heater elevation makes life much
easier on the cathode follower and reduces heater hum (see layout above). If
your power transformer does not have a 6.3v heater center tap then connect an
artificial center tap (two 100 ohm 1/2 watt resistors) to the Bleeder/Divider
circuit.
You can upload the
JCM800 6V6 Hoffman circuit board DIYLC file to
Hoffmanamps.com
and Doug will make an eyelet or turret board for you. The empty board with eyelets or
turrets installed is $20 + shipping.
I used to make my own turret boards but with HoffmanAmps.com accepting DIYLC
files to make custom boards it's just too easy and inexpensive to bother with
making them myself.
Be sure and turn the Bias Balance pot to mid turn and set the
Bias trim pot full cold (full counter-clockwise) before setting the power tube bias
for the first time.
If your amp has stability and oscillation issues try
chopsticking the amp leads around.
Try to separate the preamp plate and grid wires as much as you can. If you
still have stability and oscillation issues, placing a 270pF to 1000pF (.001uF) 600v+
ceramic disc cap across V1A (first preamp stage) pins 1 & 3 (plate & cathode) will help. This stability disc cap is
present in many factory Master Volume/JCM800 amps. The cap's purpose is to
remove above-human-hearing high frequencies which reduces the probability of the
amp going into oscillation.
If you are concerned about cathode follower grid-to-cathode
arcing at startup you can connect this
120v
neon bulb between V2B (cathode follower) pins 7 & 8 (grid and cathode). You
can also use a 10k 1/2 watt resistor in series with a 1N4007 diode instead of
the bulb. Connect the diode stripe (cathode) to pin 8 (cathode). If you start
blowing V2 tubes then this is the fix you need.
Speaker Suggestions
An 8 ohm speaker load (1x8 ohm or 2x16 ohm in parallel) is preferred because it makes it easy to
switch between 6V6 and 6L6/EL34 tubes. For 6V6 tubes connect the 8 ohm speaker
to the 8 ohm speaker jack. For 6L6, 5881 or EL34 tubes connect the 8 ohm speaker
to the 16 ohm speaker jack. Doing this adjusts the power tube plate load for
optimum load (7k ohms for 6V6 and 3.5K for 6L6, 5881 and EL34).
My favorite Celestion speaker for this amp is the
Celestion G10 Vintage
(60 watts) but I actually prefer the Warehouse Guitar Speakers
ET10 (65 watts) speaker. If you go with
two speakers then the
Green Beret in 10
(25 watts) or
12 inch (25 watts) works
really well. I prefer 10 inch speakers
for Princeton Reverb combo cabs.
If you want a 12" speaker in a Princeton
Reverb combo cab consider enlarging the cab. Adding two inches to the cab's height
or width
will allow a 12 inch speaker to breathe and not sound so boxy. Most cab makers
will customize their cabs if you ask. If you use a single speaker it needs to be
rated for about 40 watts. My top recommendation for a single 12 inch speaker is the
Warehouse Guitar Speakers ET65 (65 watts). The
Celestion Classic Lead
(80 watts) for high gain lead style play is also a good speaker choice.
JCM800 6V6 Bill of Materials
You'll also need a chassis, cab, speaker, power cord, wire, power and output
transformers and choke. The 40/20/20/20uF 500v JJ cap can and mounting clamp came
from Mojotone.com.
To summarize the parts sources I used: I purchased the Princeton Reverb
chassis, cab and most parts from
Mojotone.com. The power and output transformers came direct from AllenAmps.com. I purchased the Classictone choke
from
AmplifiedPartsDirect.com. Doug Hoffman at
HoffmanAmps.com
can supply the turret or eyelet board. For the hard-to-find 0.47uF cathode
bypass cap I like this
tantalum cap.
If your power transformer does not have a 50v bias tap you can use the
above circuit to generate bias voltage from a power transformer high voltage
lead. Tap into the power transformer high voltage at the rectifier. You must
connect the bias tap wire to the same end of the diode as the transformer high
voltage lead as shown above. The Bias resistor must be increased to 100k 2 watt.
This bias circuit will only work with power transformers with a center tap.
It's easy to adjust the JCM800 preamp overdrive and tone by changing the value
of a few components. These tweaks apply to the factory Marshall Master
Volume/2104, JCM800, my JCM800 6V6 and JCM800 Micro.
The two 470k Attenuator resistors highlighted in magenta below can be reduced to
increase preamp gain and increased to reduce gain. The first Attenuator resistor
and 1M volume pot form a voltage divider so increasing the Attenuator resistor
will cut gain. Common values are 330k (for added gain), 470k (factory value) and
560k (for less gain). If 560k doesn't cut the gain enough then I recommend also
adjusting the second Attenuator resistor located just before the 3rd preamp
stage at the top of the circuit board (highlighted in magenta in the layout
below). I left both Attenuator resistors at the factory value of
470k so try anything up to 1M to reduce preamp gain.
Increasing gain is more difficult in the JCM800 because the preamp is already
pushed near the limit of stability. That's why many factory amps have a
stability or "snubber" cap on the V1 tube socket. If you want to try for more
gain you should start by adding that snubber cap, a 100pF to 270pF 600v+ ceramic disc cap across the first
preamp stage pins 1 & 3 (plate & cathode) to add some stability.
Trinity Amps Thör
kit uses a 270pF snubber on V1A.
Reducing either Attenuator resistor from 470k to 330k will add
gain. If you alligator clip a 1M resistor in parallel with the 470k you'll get
320k to see if you like the mod. 270k will probably be too much gain but you can
give it a try by clipping in a 680k in parallel.
If you need to tame the JCM800 high end I recommend you start with
reducing or removing the second 470pF Treble Peaker cap located on the upper right
circuit board (highlighted in magenta in the layout below). Making the peaker
cap smaller will raise the frequency cutoff of the high frequency bypass making
the highs less prominent. Another option is to put a resistor in series with the
peaker cap to lower the "volume" of the high frequency bypass. Try a 120k 1/2
watt and tune to taste from there. If you need even
less highs you can remove or reduce the
first Treble Peaker cap located between the Preamp Volume pot and Input jack
from 470pF to 330pf or 270pF. The Bright cap on the Volume pot can also be
reduced but keep in mind that cap only comes into play at lower volumes. It's
there to keep the tone from getting too dark at lower preamp volume.
Marshall used a .001uF Bright cap so common values used are 330pF and 270pF. You
can also put a resistor in series with the Bright cap to lower the "volume" of
the high frequency bypass.
If you just need to reduce a little ice pick then an Ice Pick cap around
the NFB resistor can do that without too much side effect on the overdrive tone.
Its value can range from 47pF to 470pF, a higher value will dip lower into the
mid-highs for more high frequency reduction. You
can alligator clip the cap in temporarily to find what you like.
If you are a very high gain player you can cut some low end by reducing
the V1A bypass cap from .68uF to .47uF. This is actually a fairly common JCM800
mod. You can also decrease the value of the second Coupling cap (2nd coupling cap from the right on the circuit board)
from .022uF to .0022uF. This lower value was used by Marshall in many factory
Plexi, Master Volume and JCM800 preamps.
To simplify tuning preamp brightness consider building the amp without the
Bright cap and Treble Peaker caps then add brightness in steps. Start by
tuning the high gain tone by adding the second Treble Peaker cap, then if needed
add the first Treble Peaker and find the right value for your taste. To trim ice
pick add an Ice Pick cap around the NFB resistor. Then if the low volume tone is
too dark add the Bright cap to the Volume pot and verify the high gain tone is
still good.
Trinity amps sells a
kit of my JCM800
6V6. It's a variant of their 18 Watt amp called the
Thör. They made some minor circuit tweaks to tune the amp's tone
and simplify the build. I have
not evaluated these tweaks but wanted to let you know what they changed.
Power transformer high voltage is reduced from 310-0-310v to 290-0-290v.
First power supply dropping resistor is reduced from 6.8k to 4.7k (needed since
the power transformer voltages are lower). The second dropping resistor is
reduced from 10k to 9k.
Both treble peaker caps reduced from 470pF to 330pF to tame the high end.
The bright cap across the volume pot is reduced from 1000pF (.001uF) to 330pF,
again, to cut a little high end, especially at lower volume settings.
A 47pF ice pick cap is placed across the 100k negative feedback resistor to
remove some ice pick highs.
Since the Trinity Amps power transformer does not have a dedicated bias voltage
tap, they tapped bias voltage from one of the high voltage secondary wires so
the first bias resistor is increased from 470 ohms to 100k 2 watt.
Deleted the bias balance circuit, added a second bias filter cap and used a 10KL
bias pot.
Deleted the elevated heater center tap.
Installed a 270pF stability cap on V1A pins 1 and 3 to remove frequencies above human hearing
to help prevent oscillation downstream.
For this 1 watt Micro amp the following changes to the JCM800 circuit were
made:
Large value power tube grid stop resistors are used and the grid leaks are
reduced. The grid stopper and grid leak resistors have been rearranged to form a
voltage divider to attenuate the phase inverter output to help the little 12AU7 triodes
work as our power tubes without being overwhelmed.
The JCM800
power supply is modified to keep the little power tube happy. Since our
triode power tube has no screens the screen power node is deleted. The
choke is moved to smooth the entire amp's power supply.
The 6.3v heater center tap is elevated by connecting it to a Bleeder/Divider
circuit at 65 volts. This heater elevation makes life much easier on the cathode
follower and reduces heater hum (see layout below).
The NFB resistor has been reduced to 10k to compensate for the very low output
voltage of the power amp.
All of the Micro changes are after the phase inverter. Click the schematic to see the high definition version. Download the
schematic
pdf here
and the
DIYLC file here.
Princeton Reverb chassis layout. The preamp ground bus is grounded at the
High Input jack ground terminal. Power Transformer wires match the
Classictone 40-18027 for 120v USA mains power. I used a few metal film resistors
(light blue) for less hiss but left most carbon comp for mojo. The layout is an
accurate depiction of a Princeton Reverb chassis. Click the layout to
see the high resolution version. Download the layout
pdf here, the
DIYLC file here
and the JCM800 Micro Hoffman circuit board DIYLC file here.
I recommend the use of a
Princeton Reverb chassis and
Classictone 40-18027Princeton Reverb power transformer. The 40-18027 supports 120v and 240v
mains and has two high voltage
windings. We'll use the lower voltage 275-0-275v 100ma red-white high voltage leads which are
perfect for the JCM800 Micro. The entire amp uses only about 30ma at idle.
The power transformer has a 6.3v center tap so an artificial center tap is not
needed. If you need a
stand-up transformer to mount on top of a Hammond style chassis the
Classictone 40-18085 is perfect.
You can also use a 250V (no center tap) 50ma+ power transformer with a bridge
rectifier to power the JCM800 Micro (see below).
The 4 solid state 1N4007 diodes at the right are configured as a bridge
rectifier and use a 250V 50ma+ power transformer with no high voltage center tap.
Don't forget the jumper that ties the left side of the rectifier together for
the ground.
6.3v Elevated Artificial Center Tap
If your power transformer does not have a 6.3v center tap then connect the
6.3v artificial center tap resistor junction to the 65v Heater Elevation eyelet
(SLO-Nakid Micro
shown).
The output transformer is a 5 watt rated Hammond
125B wired for 22.5K:8 ohms (use the orange and yellow secondary wires--do
not connect the black wire). This little output transformer will give us some
big amp transformer saturation for a little compression and
sustain. I purchased mine from
Mouser.com.
A
Classictone 40-18040
4H 50ma
choke easily supplies the entire amp with ripple-free power.
The cap can is a JJ 40/20/20/20uF 500v can. I sourced it and its clamp from Mojotone.com.
The can's terminals are marked with Y, X, U, O and "-" stamped in the terminals.
The Y terminal is 40uF and the X, U and O have 20uF. The "-" is the negative or
ground terminal.
You can upload the
JCM800 Micro Hoffman circuit board DIYLC file to
Hoffmanamps.com
and Doug will make an eyelet or turret board for you. The empty board with eyelets or turrets installed is $18 + shipping.
I used to make my own turret boards but with HoffmanAmps.com accepting DIYLC
files to make custom boards it's just too easy and inexpensive to bother with
making them myself.
The choke
is moved upstream to supply the entire amp with ripple free power. A 12AU7 based power amp is used
for 1 watt of clean output power. Grid Leak and Grid Stopper resistors form a
voltage divider to reduce the signal for our little power tube. Smaller value filter caps are used due to the
very low power requirements of the amplifier.
The 0.68uF V1A cathode bypass cap does not need to be an
electrolytic. Any type of cap will work fine. I'm a fan of tantulum caps for
.47 and .68uF bypass caps. The bypass cap should be rated at 10 volts or higher.
A common mod is to reduce this bypass cap to .47uF to trim some lows from the
high gain overdrive tone.
If your amp has stability and oscillation issues try
chopsticking the amp leads around.
Try to separate the preamp plate and grid wires as much as you can. If you
still have stability and oscillation issues, placing a 1000pF (.001uF) 600v+
ceramic disc cap across V1A (first preamp stage) pins 1 & 3 (plate & cathode) will help. This stability disc cap is
present in many factory Master Volume/JCM800 amps. The cap's purpose is to
remove above-human-hearing high frequencies which reduces the probability of the
amp going into oscillation.
If you are concerned about cathode follower grid-to-cathode
arcing at startup you can connect this
120v
neon bulb between V2B (cathode follower) pins 7 & 8 (grid and cathode). You
can also use a 10k 1/2 watt resistor in series with a 1N4007 diode instead of
the bulb. Connect the diode stripe (cathode) to pin 8 (cathode). If you start
blowing V2 tubes then this is the fix you need.
JCM800 Micro signal flow begins at upper right at the High Input jack
and ends at the speaker jacks and NFB circuit.
Speaker Suggestions
I'm not a fan of the Celestion G12T-75. I prefer the standard
Celestion G12M
Greenback for Marshall closed back cabs but for a JCM800 Micro
combo cab my recommendation is the Warehouse Guitar Speakers
Green Beret in 10 or
12 inch. I prefer the 10 inch speaker
for Princeton Reverb cabs.
If you want a 12" speaker in a Princeton
Reverb cab consider enlarging the cab. Adding two inches to the cab's width
or height
will allow a 12 inch speaker to breathe and not sound so boxy. Most cab makers
will customize their cabs if you ask. The
Green Beret is my top recommendation for a 12 inch speaker. The
Celestion Classic Lead
is also a good choice. I recommend the
Celestion Vintage 30
if you like a slightly darker tone.
You'll also need a chassis, cab, speaker, power cord, wire, power and output
transformers and choke. The 40/20/20/20uF 500v JJ cap can and mounting clamp came
from Mojotone.com. For the hard-to-find 0.47uF cathode bypass cap I like this
tantalum cap.
Classictone 40-18027
Power Transformer Wiring & Specs
Note the 120v and 240v primary options. For 120v mains voltage we join the Black & Brown
wires and we join the Black/White & Brown/White wires. For 240v mains we join just
the Black/White and Brown wires. We'll connect the Red/White 550v
high voltage wires to the rectifier tube. Shrink-tube the two unused red wires so they cannot touch each other or anything else.
This is the 2 watt push-pull small pentode power tube version of the JCM800
Micro. It is designed to use a
Princeton Reverb chassis. The preamp is still 100%
JCM800 but the power amp was modified to run a pair of small 9-pin EF80 pentode power tubes in
true push-pull. Builders have been asking for a micro power amp using a
small pentode because pentode overdrive tone is different than triode overdrive
tone. A pentode's screen grid generates a distinct power tube distortion so this
power amp should sound more like a full size amp than one using triode power
tubes such as the 12AU7.
The power transformer, power supply and output transformer
were changed to suit the EF80 power tubes. The power tube grid stop and grid leak resistors
were
rearranged to form an attenuating voltage divider that dumps 90% of the signal to keep from overwhelming the
little power tubes. The NFB resistor value was decreased to compensate for the
lower output transformer secondary voltage.
My recommended power transformer is the $28
AnTek
AS-05T200 toroidal power transformer 200v @ 130ma (50VA), 6.3v @ 4 amps.
It must be used with a bridge rectifier. You can build the
bridge rectifier with two tag strips and four 1N4007 diodes or get an
inexpensive bridge rectifier like this $1 three amp 1000v
bridge rectifier from Mouser. The AS-05T200 has both 120v and 240v primaries. It
also has a 180v tap in case you want to lower the amp voltages (use gray and
yellow wires for 180v of HT). Another bonus is
it only weighs 2 lbs. Size is 3.75" in diameter and 1.6" tall. You can mount the
transformer on the top of the chassis and purchase a
105x45mm round transformer cover, leave it exposed or mount it inside.
Mounting consists of drilling a single hole for the transformer central bolt.
Detailed AnTek Wiring
If you would prefer to use a "normal" (non-toroid) power transformer then I
suggest the $89 Hammond
269EX 190-0-190V power transformer with 190-0-190 high voltage at 75ma,
2.5 amps of 6.3v heater current. For international builders I recommend the
Hammond
369EX which has 100, 110, 120, 200, 220,230, 240 VAC 50/60 Hz primaries.
The 269EX/369EX is a good choice for any amp using an EF80 power amp but it does
not include a 5v secondary so if you want to use a tube rectifier use an EZ81
(6.3v).
Hammond 269EX/369EX Power Transformer
Note the position of the HV center tap and the full wave conventional
rectifier wiring.
New Old Stock EF80s (also called 6BX6) are inexpensive ($6) and plentiful but
tend to be microphonic so they are best used in head amps and not combo cabs. If
you do use them in a combo cab expect to have to try several tubes to find a
pair that are not microphonic. Using rubber insulated sockets and silicone
damping rings on the tubes may help with microphonics. The EF80 uses standard
9-pin sockets and 6.3v heaters so they are easy to implement into a modern amp
build.
At 270 to 300v on the plates and a 300 ohm cathode resistor (as in the layout
below) you can expect about 5.2v across the cathode resistor with the EF80s
running at 2.45 watts, 95% plate dissipation with 8.4 milliamps of plate current
per tube. Adding a 1k 1/2 watt screen resistor will add some screen sag
distortion and emphasize the difference between triode and pentode
overdrive.
Princeton Reverb chassis layout. V4 & V5 are EF80 nine-pin pentodes in
true push-pull fed by an LTP phase inverter for 1 watt of output power.
EF80 socket pins 1 (cathode), 9
(suppressor grid) and 6 (internal shield) are tied together. B+2 is connected to
pins 8 (screen). A 300 ohm 3 watt cathode resistor is used. Output transformer
is the same Hammond 125B 22.5K:8 ohm and 5 watts as used in the 12AU7 version. The preamp ground bus is grounded at the
High Input jack ground terminal. I used a few metal film resistors
(light blue) for less hiss but left most carbon comp for mojo. The layout is an
accurate depiction of a Princeton Reverb chassis. Click the layout to
see the high resolution version. Download the layout
pdf here, the
DIYLC file here
and the JCM800 Micro Hoffman circuit board DIYLC file here.
The output transformer is a 5 watt rated Hammond
125B wired for 22.5K:8 ohms (use the orange and yellow secondary wires--do
not connect the black wire). This little output transformer will give us some
big amp transformer saturation for a little compression and
sustain. I purchased mine from
Mouser.com.
The cap can is a JJ 40/20/20/20uF 500v can. I sourced it and its clamp from Mojotone.com.
The can's terminals are marked with Y, X, U, O and "-" stamped in the terminals.
The Y terminal is 40uF and the X, U and O have 20uF. The "-" is the negative or
ground terminal.
You can upload the
JCM800 EF 80 Micro Hoffman circuit board DIYLC file to
Hoffmanamps.com
and Doug will make an eyelet or turret board for you. The empty board with eyelets or turrets installed is $18 + shipping.
I used to make my own turret boards but with HoffmanAmps.com accepting DIYLC
files to make custom boards it's just too easy and inexpensive to bother with
making them myself.
If you like this amp but want even more cowbell see the
SLO-Nakid Micro EF80 (Soldano SLO-100 Micro).
Pins 1 & 3 connect to a single cathode, pins 4 & 5 (f) are 6.3v heater filaments, pin 6 is
an internal shield which is normally connected to the cathode or ground, pins 1 & 9 (cathode and suppressor grid) are normally tied
together.
Hammond 125B Output Transformer Wiring & Specs
For the EF80 we want 22,500:8 ohms so we use the Yellow (4) & Orange (2)
wires. We do not use the Black secondary wire.